Saul Levine Movies

Film Notebook Part 1 from 1975 is a beautiful collection of daily fragments which Keller shot from her life the way one would write in a journal. She...

Impersonations for the camera by Alison Tsoi, Nina Fonoroff, and Saul Levine. Additional camera by Silvia Gruner. (For Pelle Lowe and Luther Price)

Kerry Laitela delivers an elegiac account of the passions and struggles of a female chameleon.

Textures of some Polaroid pictures found buried under snow. Leather jacket as pool for them to be hit (by light).

"A portrait of Picasso young and old, sung by the wind." - Saul

A study of my parents in grey and white. An evening film. My mother lights the sabbath candles, cooks, crochets, sleeps, talks to father reading the...

NOTE TO POLI is, in the words of his student and fellow experimental filmmaker Marjorie Keller, "a note to the filmmaker Poli Marichal 'about'...

As editor of "New Left Notes", the newspaper of Students for a Democratic Society (SDS), Saul Levine was at the center of multiple radical political...

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

"Afternoon idyll with Nancy Frumkin."

"NOTES is a series I started in 1968. NOTE TO ERIK was the second one completed but the footage goes back to 1966 when I saw the footage I loved it...

A confrontational rant addressed to the judges of the films entered in a Super 8 competition at No Exit. Both Mark and I were surprised when not only...

Directed by Saul Levine.

Directed by Saul Levine.

A film made by Marjorie Keller that document a successful struggle against welfare cuts by welfare clients, workers, and their allies.

John Broderick recounts a bad LSD trip

"Starring Saul Levine, with some of his camerawork. First part: Birth from the water; Second: in the City with Janet, mostly in darkness; third: a...

Concerned with the relation of a word to what we hear or see in our mind when we see it. How this relates to film and color.

Stations throughout Connecticut and even New York City. Riding around with my father and back to the gas station.